Sayings For Your Business

: glosses and icons to the history of CDIOT

A 'snapshot piece of Bluebeard, To, Want, Need To, To Be.
Director and actor. December 2010

The project path consists of a mix of ideas and people walking on a track, but we can also say that, at the same time, create the track under their feet and soles, as you go. In this sense, reflection and processing, in CDIOT (In-Out Creative Drama & Theatre), for example, are captured dynamically, and really thought through the thinking subject. Where the uncertainty principle does not preclude the experience, made mostly of contamination, welcome to what interferes, it is unusual and gives a sign of itself, the most hidden areas of the person. The traffic jam is pleludio agile, the error illuminating to slip, hesitation the suggestion from the inside. Message difficult to accept, in the dispute and division among the due and wanted to, possible or unknown that every person, and therefore the plaintiff carries.
Think back for a moment, that shows how elected Grotoswsky technique of "splitting the action" beyond its formulaic repetition and too perfect, to be re-state it in ourselves. Yes, to report those personal moments of "attribution of meaning" that straddle between intention and action.
Introspection is a term that remains poorly suited to what I'm describing, because it translates into a trip , remaining outside. The actors of CDIOT well know that different is the process of 'In-Out through our Drama Theatre, with whom you work the drama. E 'state of consciousness that we accept is changed (why should we call in the shadows), to develop what I am defining.
Sometimes the spectator that each of us is incomprehensible to see a show, rather surprised: comnprende not what is happening, while "reading" their shares, where is the "new" (apparently new)? But this is positive, because it indicates, once again, the road to avoid the narcissism of the "show" personal or group that is private or public, whether or not justified by the ability actorial, that is, "now I understand." He suggests listening to the finer, less noisy, a clap of the hands that can take place, private, humble, shy to the stage machinery, as a gift of themselves to themselves and the public.